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Synchronicity

“All art has been contemporary”                    

Pretorio

                         
                                     Maurizio Nannucci
                  

Il titolo scelto per questo itinerario tra i tesori contenuti a Palazzo Pretorio a Prato e le opere di arte contemporanea messe a fare da contrappunto, o piuttosto ad annullare completamente la distanza tra arte medioevale e moderna, fa riferimento alla sincronicità, appunto, ma anche, forse, al fatto che nella città di Prato convivono due anime.
Siamo state a visitare la mostra che rimarrà al Pretorio fino a gennaio prossimo e ci sentiamo di consigliarla vivamente. Noi ne siamo rimaste piacevolemente colpite. Possiamo dire di esserne uscite arricchite. Sì, perchè accanto ai capolavori di Filippino Lippi, Lorenzo Bartolini e Battistello Caracciolo, abbiamo potuto vedere l’opera di Duchamp Joconde L.H.O.O.Q o di Wharol Mona Lisa (Four Times).

Lippi
20151018_181300

E se la classicità di Lippi, Caravaggio, Tiepolo e Bellini ti quieta e ti meraviglia, la contemporaneità ti sorprende e ti turba. Sincronicamente, al volgere dello sguardo. Cosicchè nella sala che accoglie le nature morte settecentesche guizza l’estro del microcosmo naturale riprodotto da Piero Giraldi, L’Odio di Gilberto Iorio si oppone al ritratto di Umberto I di Savoia. 

Odio

Accade che passando attraverso le opere del Tardo Gotico e del Rinascimento, e la predella di Daddi, si alzi il sopracciglio di fronte al taglio rosa di Fontana.

Taglio Fontana

Succede che ti inquieti alle immagini in bianco e nero di Acconci accostato al ritratto di Datini, che ti meravigli dei pittori del Cinquecento e Seicento per sbigottire subito dopo di fronte alla crudezza delle ferite di rasoio sulla pelle della Abramovic. E accade che i candidi busti di Bartolini nella splendida sala al terzo piano “guardino” le stampe fotografiche di Cremaster , del genio visionario Matthew Barney.

 busti

Barney

 

Le opere di arte contemporanea, si sa, sono quelle che più spesso vengono guardate con ilarità da molti di noi. Sono quelle che vengono apostrofate solitamente con un laconico “Potevo farlo anche io”. È un tipo di arte che suscita emozioni forti: rabbia, disgusto, disapprovazione.
Eppure questa è l’arte dei nostri tempi, della nostra epoca. L’arte contemporanea siamo noi e rifiutarla significa rifiutare i nostri tempi, ricchi di tante contraddizioni.
In fondo, come recita la citazione iniziale che abbiamo scelto e che si rifà ad una installazione luminosa di Maurizio Nannucci, tutta l’arte è stata contemporanea e molti degli artisti che noi oggi consideriamo geni, per molto tempo sono stati ritenuti imbratta tele.  
Nudo

Merita davvero una visita questa mostra a Palazzo Pretorio curata da Stefano Pezzato, prima che le 36 opere della contemporaneità lascino gli spazi alla mostra permanente. Avete tempo fino al 10 gennaio. E se ci andate nel fine settimana, prima delle 17, non perdetevi l’accesso alla Terrazza del Palazzo, compresa nel biglietto d’ingresso, dalla quale si gode una fantastica vista sui tetti di Prato.
 

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